Broadcasting the Canadian Olympic Hall of Fame Induction Gala
metaSAN part of a champion behind-the-scenes team
The team that prepared the broadcast of the biggest Canadian Olympic Hall of Fame event for the English-speaking private channel CTV and the French-speaking V Tele had just 24 hours to cut down the material to a two hours master with commercial breaks, subtitles and packaged in two languages to air 24 hours after the event took place. Jean Lamoureux, the project's director known for it's work on Celine Dion's Las Vegas and tour DVDs, turned to Dominic Bourget of INSO Media for help. Dominic knew that a SAN would be required to ingest and edit the material from multiple workstations and that metaSAN was the only viable option given there was no time for a complex setup and no margin for error. He betted right. metaSAN turned out to be a reliable team-mate in this race against time.
All 10 camera feeds from the event at the Montreal Bell Center were recorded to 12 KiPros (AJA’s tapeless video recording device) for faster transfer speed. The ProRes files from the 12 swappable KiPro hard drives had to be transferred on two 16TB G-Speed XL FC plugged into an ATTO 8Gbs switch acting as the shared storage of the post-production SAN set up at the director's house.
That’s where metaSAN came in handy. metaSAN was installed on three Mac Pro workstations running Final Cut Studio 2009, all on a Fiber and GigE network managed by two other Mac Pro computers acting as metadata controllers that were also running metaSAN. The 36 hours of footage was all transferred to the SAN in less than an hour using all the workstations and two laptops each with two KiPro drives plugged in FireWire 800.
“This was the main bottleneck of the project and it had been amazingly well handled by the easily setup "home SAN" by the Inso Media tech team the day before.” says Mathieu Marano, technical director at Montreal's legendary Bureau de Post.
After the footage was transferred to the SAN it was ready to feed the 12 stream multiclips to the workstations for a night of heavy editing. At noon, the day after the gala, two HDCAM SR masters were sent to Karisma for audio striping and then delivered to CTV and V Tele for an 8pm broadcast.
“This wouldn't have been possible without the extreme compatibility between Final Cut and the KiPro, the quick ingest time provided by the segmented recording and the multi-station transfers and the media sharing capabilities of metaSAN.” concludes Marano.
Read the full story here.




